Peggy serves on the Boards for US Intellectual Property Alliance (USIPA), Georgia Intellectual Property Alliance (GIPA), Georgia State University School of Music, Georgia Music Partners, Atlanta Film Festival, has served for 5 years on the Board of Governors (Composer Seat) for The Recording Academy (Grammy Organization.) She is an alumna of Leadership Atlanta (class of 2013), Leadership DeKalb (class of 2014) and Leadership Sandy Springs (class of 2020).

Producer, Composer, Artist and Creative Services: Peggy founded Pendulum-Productions developing projects and content and providing fundraising, production, music, sound design for film, television, animation, trailers and digital media projects. Peggy released her avant garde CD Footsteps and later a single (“Pie Jesu”) she wrote for the award-winning film Requiem for Herstory. “Pie Jesu” was on the ballot for the 54th Grammy Awards and nominated for an Indie Award for Best Classical and Orchestral Song (Independent Label Music Award.) Peggy worked with Stephen King, John Mellencamp, T Bone Burnett and Andy York on their musical production Ghost Brothers of Darkland County as the vocal coach and copyist (working on the musical score.) Peggy recently through Pendulum Music Label and Pendulum-Productions released Hello World Soundtrack from the documentary Hello World discussing the need for diversity and inclusion within technology companies, colleges and universities. Peggy also released Reflections, a collection of songs including one dedicated to her mother and another dedicated to her daughter. Peggy has performed all over the world as a soloist and in bands and also performed in Maui for former President George and Barbara Bush along with singing as a soloist the “National Anthem” at Turner Field (Atlanta Braves Game) and Philips Arena (Atlanta Hawks Game.) Peggy founded the Peggy Still School of Music in 1988 which grew to three locations, 600 students and 45 teachers. Peggy successfully sold the Peggy Still School of Music in 2011.  She also founded Peggy Johnson Productions & Talent where she worked as a music and production supervisor, casting agent, coached/developed talent, and a composer/arranger of music for film.  She has worked on such films and television shows (coaching, casting, composing, music supervision and production): Curious Case of Benjamin Button, Parental Guidance, Bessie, Requiem for Herstory, Greenleaf,  Hello World, American Idol,  America’s Got Talent, and more. Peggy is producing through Pendulum-Productions the following: Lion’s Tooth, Heianzan, WE Sing, Abigail and the Dream Adventurers, Don’t Worry I’m Fine and will be working on music and sound design for all 5 projects with her team at Pendulum-Productions.  Peggy composed music for the Points of Light video presentation at the Kennedy Center and arranged, performed, & recorded music for the Dedication of the Atlanta Temple for the Church of Jesus Christ of Latter Day Saints.

Musical Career:

Peggy performed with the GSU University Singers at Lincoln Center in New York and has also performed professionally since 1982 in San Diego, Salt Lake City, Dallas, Atlanta, Montego Bay (Jamaica,) Maui (Hawaii,) Colombia-South America, Washington D.C., Las Vegas and throughout the southeast. Peggy was the keyboardist and vocalist for Atlanta’s most popular Dance/Party Band – formerly known as “The Celebrity Rock Band” – now known as “BandX”. She performed with BandX at The Grand Wailea for President George and Barbara Bush in Maui and performed with Mickey Thomas (Starship/Jefferson Starship), Jeff Carlisi (38 Special), and Jenny McCarthy at The Palms Resort and Brian Howe (Bad Company) at the Red Rock Resort in Las Vegas. Peggy sang (soprano) in a 30 voice gospel choir in 2017 for a Christmas television special backing up legends Gladys Knight, Smokey Robinson, Patti LaBelle and Yolanda Adams.

Peggy was featured in Urban Lux Magazine – “People on the Move”. Peggy has also sung the “National Anthem” as a soloist at Turner Field for the Atlanta Braves, Philips Arena for the Atlanta Hawks, and the Kaiser Permanente 5K Run in Atlanta (18,ooo runners.) Peggy re-released her avant garde recording entitled Footsteps in 2010 and released Reflections in 2019. Reflections is a collection of songs including one dedicated to her mother and another dedicated to her daughter.

In 2009 Peggy was hired by Scott Houston (5 time Emmy Award Winner – known as “The Piano Guy”) to speak at his National Seminar in Indiana for his “Play Piano in a Flash” teaching program. In 2006, Peggy was hired by Paramount Pictures to train actress Edith Ivey on piano for her role as the piano teacher (Mrs. Maples) in the 2008 blockbuster movie The Curious Case of Benjamin Button (starring Brad Pitt and Cate Blanchett.). The film was nominated for 13 Academy Awards, winner of 3 Academy Awards. In 2010, Peggy received composing, casting, and coaching credit for her work in the Independent Film Requiem for Herstory which was nominated for Best Short Film in the Toronto Female Eye Film Festival.

Peggy has worked with Justin Guarini (American Idol), employed hundreds of musicians, and also personally taught hundreds of musicians including national and local celebrities such as Kimi Shelter and Kriss Tokaji (Starbenders); Rebecca Lovell and Megan Lovell (Larkin Poe); Josie Dunn; Dean Roland (Collective Soul); Brandon Bush (Sugarland); Monique; Babi Mac; Justin Guarino (American Idol);  Rachele Gilmore (Metropolitan Opera); Brad Shaw, Mike Shaw, Jacob Morrell (The Head); Sonny Mack; Tanner Hendon (Madison Studios); Joe Gransden; Sydney Ward; Chelsea Szegidewicz;  Tuk Smith (The Biters); Amy Gerhartz; Joelle; Justin Martin (Lion King, High School Musical 3, The Soloist); Jon Mero (The Voice); Cristina Quinones (Georgia Music Hall of Fame Horizon Award Recipient); and more. A great supporter of education, Peggy was an award presenter for the 2011 Televised Shuler Hensley Awards at the Cobb Energy Performing Arts Centre. Peggy also worked with Tony award winning actor Shuler Hensley in the Ghost Brothers of Darkland County musical.

In 2011, Peggy arranged, performed and recorded music for The Church of Jesus Christ of Latter Day Saints’ dedication of their Atlanta Temple in which the President of the church, the late President Thomas S. Monson, was in attendance. Peggy arranged 2 choral pieces, 2 five piece instrumental medleys, and recorded most of the piano tracks for the youth choir performing in the Atlanta Civic Center. Peggy also composed the music for the Points of Light presentation at the Kennedy Center.

Arts Advocate:
Peggy has also been an arts advocate speaking to politicians in Washington D.C. and in Georgia about the need for artist tax incentives and protection of artist intellectual property/creator rights.

Business Owner:

The Peggy Johnson Foundation for the Performing Arts, Inc. was founded to provide the community, community organizations, charities, and community events with performance opportunities and entertainment at minimal or no charge. PJFPA provided the community with diverse styles of musical entertainment to be excellent, educational, wholesome, and artistic.

Justin Guarini – American Idol star, Singer, Songwriter, Recording Artist, Actor, Film and Broadway star

“Thank you for all your help, it was invaluable. It was great working with you and Madison Studios.”

Peggy Johnson Productions and Talent was contacted by America’s Got Talent casting directors in Los Angeles to find talent for their show for private auditions.

We sent in 12 videos and 3 artists were selected!

We wish them all the best in the 2011 season.

“What Makes a Video Go Viral?”

by Robert Marshall

What is it exactly that makes a video go viral? More importantly, what does it mean for a video to be “viral” in the first place? As defined by the Oxford online dictionary, “viral” can be defined as: “relating to or involving an image, video, piece of information, etc. that is circulated rapidly from one Internet user to another.” Simple, right? What could be hard about writing Rebecca Black’s “Friday” or catching the next double rainbow on film? Not much, to be sure, but putting your video in a position where it will be seen by thousands of viewers is a bit trickier.

Many companies specialize in taking clients’ videos to 100,000+ views and beyond, but the important question is how this is achieved. The answer is two-fold: production and promotion.

Production

If you are verily vying to get your video to go viral, here are some expert tips (Greenberg, 2007):

• Keep it short: if it’s a long concept, break it into manageable clips
• Plan for remixing: the more your video can be incorporated into other content, the better (ie: “Dramatic Hamster”)
• Make it shocking
• Fake headlines: make your viewers question reality
• Pretty ladies

Promotion

The “Most Viewed” Page

Looking for your first views? Make sure they’re from the right sources!

• Blogs: reach out to individuals who run relevant blogs. If necessary, you may pay these individuals to post/embed your video.
• Forums: start a conversation (and talk to yourself). When posting on forums, make sure to have multiple accounts to generate whatever size buzz you can muster.
• Facebook: there are a myriad of ways to move your video to viral status using Facebook.

1. Share your video with your entire friend list.
2. Start an event that announces the launch date and invite everyone.
3. Tag friends in a note about the video.
4. Post video to Facebook Video, with a link back to the YouTube page.

• Email Lists: depending on the size of this list, mass emails can be a very effective way to gain easy views.

Title Optimization

Your video is much more likely to achieve viral status if it has a pointed and direct title. Fortunately, YouTube video titles can be changed endlessly, so consider including buzzwords like “exclusive,” “behind the scenes,” or “leaked video” to add to your hype.

Thumbnail Optimization

YouTube chooses your thumbnail options based on what content is showing at the exact middle of your video. Use this to your advantage when editing. Also, try to include a face or person in your thumbnail. Think of all the swimwear model videos with hundreds of thousands of views. This strategy is obviously not necessary, but it can help.

Here are some other tips on getting your video from popular to viral:

• Comments: have outrageous, heated discussions in your comments section. You can use multiple accounts, stage arguments with friends, or, if you’re lucky, you might find two people who don’t need your help arguing about your video.
• Releasing Strategy: release all your videos at once. It may seem safe to post one video a day to keep your content fresh, but if a viewer is wild about your video, why make them wait to see more?
• Strategically Tag: yes, you can use YouTube to create searchable keywords for your video, but you can also use custom tags that only you use to link back to your own videos on the “Related Videos” page.
• Analytics: add “?video=1” to the end of your URL. This makes it easier to track inbound links with Google Analytics, TubeMogul, VidMetrix, or other metrics tools

With 10,000+ video uploads every day, it can be a lot of work to create a worth-watching video on YouTube, and even more work to give your worthy brainchild the exposure it deserves. However, with a little creativity, some tech-savvy-ness, and a little slight of hand, you can turn your video from an under-seen masterpiece into a viral hit!

Sources:

http://techcrunch.com/2007/11/22/the-secret-strategies-behind-many-viral-videos/

http://oxforddictionaries.com/definition/viral?q=viral

When you perform on stage, you exercise your voice throughout the full range. In order to make sure you are better prepared, there are five quick tips that vocal teachers at the Peggy Still School of Music recommend:

1Keep your voice lubricated with water. A dry throat and mouth can be harmful to the voice on the day of a performance. As a rule, try to drink at least 8 to 10 glasses of water a day. If you are singing early in the morning, try drinking a glass of hot tea with honey and lemon followed with plenty of water.

2If you are recovering from a cold and have a bit of a “gravelly” feeling in your throat, mix one tablespoon of apple cider vinegar with a tablespoon of honey. The vinegar will kill the lingering bacteria and the honey will soothe your throat.

3 Warm up before you sing. Avoid singing too high or loud and soft or low. Keep your warm-ups in the middle range. Be careful not to strain your voice.

4 Watch what you eat. Certain foods can help or harm your voice before a performance. Dairy, pasta, and chocolate will dry your voice out. Apples and soup tend to be recommended because they will lubricate your vocal cords and not dry your mouth and throat. Be sure to not sing on an empty or full stomach. This can alter your ability to sing and breathe effectively. Try to eat healthy foods.

5 Continuously practice before a performance. You will only develop more as a musician if you practice. Try to know your melody, rhythm and lyrics a few weeks in advance of the performance. Grab friends or family and perform your piece for them. This will help you get prepared for an audience.

On August 25th, 2009 Peggy Still Johnson was invited to sing the National Anthem for the Atlanta Braves! What was more interesting was that the Braves were playing against the San Diego Padres, Peggy’s hometown team. Let’s not get into details as to who won the game; the highlight of the night was most definitely Peggy’s performance. We got a chance to ask her a few questions about her performance.

Q: First off, were you nervous? Better yet, how nervous were you? PSJ: I was definitely nervous! but knew how important it was to stay focused. The National Anthem is not something you want to mess up – We Americans take our Anthem very seriously. It’s personal for all of us.

Q: What did you do in order to overcome your pre-performance jitters? PSJ: I just made sure I was very prepared both musically and mentally. You hear it all the time but it’s so true, “Practice makes perfect”. I’ve learned the best antidote to nerves is preparation. I also went to a Braves game earlier in the season to get an idea of where to stand, what to do, and just make notes! I also try and make my preparation fun. I wanted to make sure my performance was as perfect as possible.

Q: Do you have any tips for others performers about how to get over any unsettling nerves or pre-misconceptions about performing in front of any size crowd? PSJ: Wherever you perform, whether it’s in a stadium or a living room in front of your family, the first key is to stay focused. Find a focal point on a wall or anywhere you think is best and sing to it. Smile, nod, show emotion as if singing to an audience. That way you as an artist can remain focused on words, pitch, and stage presence. It helps me, and will for you, so much with not being easily distracted. Also practice practice practice! When that big performance day comes you don’t want to be regretting while you’re nervous at the same time. This is meant to be fun. The more prepared you are, the more you’ll be able to enjoy it and the better you’ll do!

Q: I feel many of us think it’s impossible to get to a high level of performing such as the Braves game, what would you say about that? PSJ: Nothing is impossible. If you have the talent, are prepared, and partake in all the opportunities to perform, doors will be opened. You begin to meet the right people and soon if you have a good CD and promotional materials, people will book you for events. Also you cannot give up – keep trying. You have to believe you can do it, and then put that belief into action.

Q: Any other inside performing secrets you are willing to let us in on? PSJ: Of course! These are just a few rules each time I perform. These are what I guess you would call my “secret performing recipe”.

1. Pick songs that fit the gig and also songs that your audience will want to hear. Performing is about your audience – especially if you want them to come back and support you again.
2. Dress well and dress so you fit in at the venue and gig. Many musicians do not realize how important appearance is. If you are not good with style, then ask a friend who has great style to help you. Professional artists have the complete package.
3. Get to the gig early. This will keep you calm – also reliability is just as important as talent especially if you want to get hired again. The venue does not want to hear about your drama on how you tried to get there on time or early.
4. Promote promote promote! Help the venue make some money and they will invite you back.

So there you have it! Your inside scoop on Peggy Still Johnson’s personal performance tips and secrets.

Start off with taking lessons at the Peggy Still School of Music for whatever area of music you want. We’ll teach you more than you could ever dream about when it comes to music. Not only that, with The Peggy Still School of Music you get to learn and be shown off at any of our performance events. So put these tips into action now and let us personally help you one on one.

Email info@peggystill.com to receive more information or call 770-753-0322.